Born in Nice, Barney Wilen’s (1937-1996) career was boosted in 1957 when he worked with Miles Davis on the soundtrack Ascenseur pour l’échafaud. In 1959, Wilen wrote his two soundtracks Un témoin dans la ville and Jazz sur scène with Kenny Clarke. He also wrote a soundtrack for Roger Vadim’s film Les liaisons dangereuses two years later, working with Thelonious Monk. Wilen toured in Japan for the first time in 1990 and returned the following year when this concert was taped. He died of cancer in Paris at the age of 59.
This fine concert was recorded directly from the console to my father’s SONY DAT. Thanks to his farsightedness and passion for technology we are now able to enjoy what went down almost 30 years ago at the Keystone Korner in Tokyo. My special thanks to Elemental Music. Patrick Wilen, March 2019 Playing with Barney Wilen has been one of the highlights of my career as a jazz pianist. Many thanks to Elemental Music for releasing this very unexpected recording almost 30 years after it was made! Olivier Hutman, February 2019. With these previously unreleased 1991 tapes at Tokyo’s Keystone Korner, Barney is back, amazing us again with his
talent. Listen to him. For pleasure. Bruno Pfeiffer
Elemental Music, together with Universal Music Spain, is proud to present the best selection of ‘60s & ‘70s classic bossa nova & MPB albums from the vaults of legendary labels such as Philips, Elenco, Verve and Odeon, among others.
Elemental Music presents a complete previously unissued quartet performance by the great Dexter Gordon. This fascinating concert finds Gordon at the Subway jazz club in Köln, Germany, on September 11, 1973, playing along Irv Rochlin on piano, Henk Haverhoek on bass, and Tony Inzalaco on drums. This edition contains a 16-page booklet with rare photographs, and special essays by famed jazz producer Michael Cuscuna and by Dexter s widow, Maxine Gordon. The set also includes four bonus tracks, also previously unreleased, consisting of 1965 and 1971 performances by Gordon respectively in Stuttgart and Den Haag. This Gatefold edition contains rare photographs and special essays by famed jazz producer Michael Cuscuna and by Dexter´s widow, Maxine Gordon. Recorded live at the Subway Club, Koln, Germany, on September 11, 1973.
Celebrating The 75Th Anniversary of the Life And Legacy of Woody Shaw, Elemental Music presents a complete previously unissued quintet performance by the great Woody Shaw recorded live at the Foyer Stadttheater, in Basel, Switzerland, on January 16, 1980. This outstanding concert features Shaw in the company of saxophonist Carter Jefferson, pianist Larry Willis, bassist Stafford James, and drummer Victor Lewis. This gatefold edition includes rare photographs and special essays by famed jazz producer Michael Cuscuna and by Shaw’s son Woody Shaw III.
“The Last Great Trumpet Innovator” -Npr Music & Elemental Music proudly presents WOODY SHAW at Basel 1980.
Elemental Music is pleased to announce the release of two new recently discovered, previously unreleased live recordings: Dexter Gordon Quartet, Espace Cardin 1977 and Woody Shaw Quartet, Live in Bremen 1983.
Not forsaking Europe entirely, after his return home from to the U.S. in 1977, Gordon returned for gigs like the inspired set captured here at the Espace Pierre Cardin (Théâtre de la Ville) in Paris in September 25, 1977. Sharing the stage with him that night are the well-known rhythm section of French bassist Pierre Michelot and American drummer Kenny Clarke. What makes this performance unique is that it is the only known recording of Gordon playing with one of the stalwarts of bebop piano, Al Haig. A constant presence on 52nd street during the embryonic days of bebop in the late 1940s, Haig’s career had gone fallow by the 1960s. At the time of this performance, he was experiencing a much-deserved rediscovery.
Woody Shaw Quartet’s Live in Bremen 1983 was recorded live at Post Aula, in Bremen Germany on January 18, 1983. It’s a rare and satisfying snapshot of trumpeter Shaw’s second great quintet, formed in 1980 with pianist Mulgrew Miller, bassist Stafford James, and drummer Tony Reedus. Like all Elemental releases, this set was produced by Cuscuna, who was a close friend of the late trumpeter during the last 15 years of his life.
Elemental Music Launches Ambitious Series of Previously unreleased Historic Recordings from Jazz Giants of the Golden Age
In life, trumpeter Woody Shaw and saxophonist Dexter Gordon – two instrumental giants of the jazz idiom – were often connected. They both lived in Europe, (Gordon for 14 years in the ‘60s and ‘70s, and Shaw briefly in 1964), they were friends and frequent collaborators, and their respective recording careers were re-fashioned at Columbia Records by producer Michael Cuscuna. Gordon and Shaw became key voices in the rejuvenation of that label’s jazz division, and yet again both men reunited with ex-Columbia Records president Bruce Lundvall and Cuscuna at the newly reactivated Blue Note label in the mid-‘80s. Among Gordon’s late career highlights is his Oscar-nominated role in the film Round Midnight and the film’s pair of soundtrack albums, Round Midnight and The Other Side of Round Midnight. Shaw, who served as Blue Note’s house trumpeter in the ‘60s, collaborated with Freddie Hubbard on two seminal ‘80s recordings for the storied imprint.
Now this pair of jazz giants, in peak form and backed by crack working bands, can be heard again, on two newly discovered, previously unreleased live performances from Japan: Dexter Gordon Quartet Tokyo 1975and Woody Shaw Tokyo 1981, released in deluxe-CD and LP editions by Elemental Music.
Gordon and Shaw thrived personally and artistically during their time in Europe. Woody Shaw played with and learned from the great saxophonist Eric Dolphy. During his time in Copenhagen, Dexter Gordon formed a fruitful musical connection with pianist Kenny Drew. At the heart ofDexter Gordon Quartet Tokyo 1975is that almost telepathic interplay with Drew who moved to the Danish capital in 1964. On this recording, Niels-Henning Ørsted Pedersen, the Danish bass prodigy, equally adept at both walking bass-lines and solos, holds down the bass chair. Drew, Pedersen and drummer Alex Riel were the house band at Jazzhus Montmartre in Copenhagen, with Riel later replaced by another American ex-pat Albert “Tootie” Heath. It is this lineup that’s heard on Dexter GordonQuartetTokyo 1975. Whatever the lineup, the Jazzhus house band played live and on record many times with not only Gordon but Ben Webster, Johnny Griffin and others.
As famed jazz producer and Elemental Music Consultant Michael Cuscuna states in his liner notes for this package: “Having suffered the perils of being a single on the road for so many decades where out-of-tune pianos and tone-deaf pianists lurk around every corner, Dexter was lucky enough to enjoy the fruits of this great rhythm section for years in Copenhagen.”
One of the most distinctive and underrated trumpeters in jazz history, Woody Shaw began on the trumpet in high school, reputedly the same month that one of his heroes, Clifford Brown, died in a tragic car accident. First gaining fame as a sideman with Willie Bobo and Eric Dolphy, with whom he made his recording debut on Dolphy’s Iron Man, Shaw moved to Paris in the mid-‘60s, where he crossed paths with Gordon, who he later helped reintroduce to the stateside jazz scene in the mid-‘70s. After returning to the U.S. to play with Horace Silver’s Quintet, Shaw recorded for a variety of labels including Blue Note, Contemporary, Muse and finally Columbia, where in 1978 he recorded Rosewood, an album widely acknowledged as his masterpiece.
Shaw was also a key member of Gordon’s Homecoming album which captured Gordon’s first gig at the Village Vanguard after returning to the U.S. in 1977. Active on the jazz scene and as an international ambassador for the music until his untimely death in 1989 at 44, Shaw brought vital new energies to the language of jazz improvisation and uncompromising expression. On Woody ShawTokyo 1981, Shaw is joined by his working quintet which was notable for having the unusual textures and tonality of a frontline of Shaw and trombonist Steve Turre, backed by the considerable talents of pianist Mulgrew Miller, bassist Stafford James and drummer Tony Reedus.
Instantly essential, these two sets document two of the towering figures in jazz history playing at their peak, and as such Dexter Gordon Quartet Tokyo 1975 and Woody Shaw Tokyo 1981 are invaluable additions to the recorded legacies of both these irreplaceable jazz visionaries. Maxine Gordon summarizes in her liner note to the Gordon package:
“Jazz fans the world over love discoveries of previously unreleased gems, hidden in storage rooms and vaults, unmarked and covered with dust. Elemental is finding a way to share these treasures with us. They are remastering often overlooked musical events and repackaging them to look as beautiful as the music sounds.”
Dedicated to releasing newly discovered archival and out-of-print jazz.